Han Kang’s main theme is the dignity and the cowardice that atrocity brings forth from people—often the same person.
We Are the Eighth Day, © Melanie Weidner
When I learned that white evangelical women are drawing and painting all over their Bibles, I was caught between judging and celebrating the phenomenon.
Several recent films and shows portray people of color with a complexity that James Baldwin once assumed was impossible for pop culture.
In C.E. Morgan’s world, anything goes as long as it’s couched in the language of the equine.