Kathryn Reklis
Kathryn Reklis teaches theology at Fordham University and is codirector of the Institute for Art, Religion and Social Justice.
Rutherford Falls gambles on humor to sort out White blindness. Reservation Dogs ignores the White gaze altogether.
Church celebrity is complicated.
Both movies made me grateful for directors with risky, new visions—and the space to enjoy them.
Mythic Quest and Call My Agent have me feeling nostalgic for annoying colleagues and pointless meetings.
In Hacks and Mare of Easttown, it’s thrilling to watch an aging woman on screen.
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