Kathryn Reklis
Kathryn Reklis teaches theology at Fordham University and is codirector of the Institute for Art, Religion and Social Justice.
A murder mystery can provide sharp social commentary—and great fun.
Speculative fiction, at its best, can inspire collaboration by artists and writers and ordinary fans.
Todd Field’s movie about a megalomaniacal musician is, like his earlier films, interested in moral ambiguity.
Both movies critique the assumption that survival requires dominance.
The fantasy of Severance is that we can avoid facing the moral peril of the structures we inhabit.
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