On Art
Commentary on visual art
From Meg Hitchcock’s Illuminations
(clockwise from left) Emerge from Invisibility and Become Visible; Of His Vast Almighty Head; The Hundreds and Thousands of My Forms; The Ferryman; The Nine Eyes Widely Opened
Images from Michael Petry’s Gifts of Apollo (top) and At the Foot of the Gods (bottom)
What happens to old gods? As fantasy writers from Neil Gaiman to George R. R....
Peter Howson’s Imposter
Peter Howson has been described as a modern-day Hieronymus Bosch for his detailed and disquieting depictions of the Gospel Passion narratives, like this graphite drawing on gessoed wood of the mock...
Fanny Lechevalier Lafon’s
Untitled work
Untitled work
(digital collage incorporating photograph by Arsen Petrov and painting by William-Adolphe Bouguereau)...
Doreen R. Martinez and Ronald J. Martinez’s Santa Maria de la Paz
At the United Church of Santa Fe, a small bulto of Mary sits on a stand near the entrance to the sanctuary....
Jan Richardson’s That We Might Receive This Joy
Jan Richardson explores a question many of us carry without knowing how to articulate it: How does joy work?...
Antonio McAfee’s Afternoon of the Deluge (Ocean) and Evening of the Deluge (Standing on Water)
Antonio McAfee’s art addresses the complexity of representation, especially of African Americans, through restless formal experimentation....