Film

Viewers don’t look to James Bond movies for profundity. Mostly they go to see buxom babes (now brainier and badder) and gravity-defying vehicle chases. But the most recent Bond installment offers some pertinent comments on technology.
December 27, 2012

People Like Us

Though this movie wants to be about and for adults, it’s hamstrung by the soap-opera mentality of its writers, Roberto Orci and Jody Lambert, and its director, Alex Kurtzman.
August 8, 2012

Take This Waltz

This low-key, intimate Canadian film is in danger of passing by unnoticed. An anatomy of two relationships—a marriage and a court­ship that overlap—the film is excitingly fresh and unconventional, and one of the few bright spots in a dim summer movie season.
August 5, 2012

Safety Not Guaranteed

Safety Not Guaranteed tells the story of Darius (Aubrey Plaza), a bored intern at a Seattle magazine. While researching a human interest story about Kenneth (Mark Duplass), a scientist/ store clerk who has placed a newspaper ad looking for a companion to accompany him into the future, Darius finds herself learning valuable life lessons about trust, loss, hope and, of course, love.
July 25, 2012

Dark Horse

Writer-director Todd Solondz is the patron saint of schlubs and schlemiels. From his award-winning debut film Welcome to the Dollhouse (1996) through a series of low-budget projects, he casts an empathic eye on outsiders who can’t catch a break, no matter how hard they try.
July 22, 2012

Prometheus

The extraterrestrial vistas in Prometheus, Ridley Scott’s prequel to his 1979 blockbuster hit Alien, are handsome (Dariusz Wolski shot them), but the movie is an expensive dud, dull and incoherent.
July 10, 2012

To Rome with Love

Lit by the prodigious cinematographer Darius Khondji, Rome looks glorious in Woody Allen’s latest, an omnibus of four loosely connected comedies in different styles. The movie is a pleasant diversion, if rather clumsy in its construction.
July 8, 2012

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