Theology and advertising share the same root.
Kathryn Reklis reviews film, TV, and more
A screen in a sanctuary used to be a signal that a congregation had taken a side in the worship wars. Now it's just a sign that a church is open and functioning.
Religious satire was once an edgy form of humor celebrated by rebellious teens. Now it’s attracting adults who buy theater tickets.
Do Trainwreck and Catastrophe herald a resurrection of the rom-com genre? Or merely a grotesque reanimation?
Augustine said the lesson's content is not as important as the teacher's desire. Passion is what instructs—and I'm teaching my children Star Wars.
As I watched Inside Out, I found myself thinking about Augustine's assertion that we are what we love and what we hate.
Of all the violence on Game of Thrones, one scene from the fifth season stands out in public opinion as particularly horrific.
U2's subway prank created a strange sort of intimacy and spontaneous community. I felt a similar dynamic at play at a recent funeral.
Watching Inside Amy Schumer or Broad City, you might conclude that sex is all young women think about. There is something refreshing about this.
Scandal and New Girl are not ordinarily “about” race. But as national conversations on police violence intensify, they’ve stepped into the discussion.