John

A shepherd’s staff has a crook for drawing the sheep away from danger, and a blunt end for prodding them toward places they would rather not go. This week’s texts embrace the tension between the two in the shepherd’s role.

Why is the Jesus on that crucifix so small?

The cross overshadows him, dwarfs him. This is what I think about in my Aquinas class.

Why is the Jesus on that crucifix so small?

The cross overshadows him, dwarfs him. This is what I think about in my Aquinas class.

As we encounter the post-resurrection Jesus in this week’s Gospel, brokenness and disappointment permeate—brokenness as thick as the morning mist off the Sea of Galilee, disappointment as pungent as the smell of fish.

I have a friend who visits his mother's burial site each year on the anniversary of her death. When the day comes, the mood is always solemn and deeply reflective--and tremendously difficult for other people in his life. What they don't know is that this annual ritual is generative, corrective. It helps anchor my friend for the rest of the year. 

I have another friend who almost never visits his parents' gravesite.

To ask a question is to risk an answer. Sometimes we don’t like the answer we receive. In Thomas’s case, though, the real risk is in success.

Several years ago I taught a Sunday School class on the Saint John's Bible, a beautiful hand-calligraphed and illustrated version of the Bible that took several years and a whole team of artists to create. I showed the class a video about how the project came together, and the class was spellbound, as I knew they'd be. The illuminations make you want to lean into the scripture. The Saint John's Bible fosters awe and wonder toward the God who gives us not only the sacred story but also the artists who make it come alive.

Near the end of the video, the narrator shares the cost of this tremendous project.

Several years ago I taught a Sunday School class on the Saint John's Bible, a beautiful hand-calligraphed and illustrated version of the Bible that took several years and a whole team of artists to create. I showed the class a video about how the project came together, and the class was spellbound, as I knew they'd be. The illuminations make you want to lean into the scripture. The Saint John's Bible fosters awe and wonder toward the God who gives us not only the sacred story but also the artists who make it come alive.

Near the end of the video, the narrator shares the cost of this tremendous project.

There are many reasons to deny Jesus, and we all have one. 

There are many reasons to deny Jesus, and we all have one. 

Black people can eat at most lunch counters and travel across state lines without being consigned to the back of the bus. But the fundamental right to life continues to be haunted by white supremacy.

Slaughtering animals, washing feet—I can smell the rooms in both Exodus and John.

After the anointing at Bethany, Judas asks why the fragrance wasn't sold and the money given to charity. A more apt question might be why Mary didn't use it on her brother Lazarus, dead just a few days before.

After the anointing at Bethany, Judas asks why the fragrance wasn't sold and the money given to charity. A more apt question might be why Mary didn't use it on her brother Lazarus, dead just a few days before.

After the anointing at Bethany, Judas asks why the fragrance wasn't sold and the money given to charity. A more apt question might be why Mary didn't use it on her brother Lazarus, dead just a few days before.

After the anointing at Bethany, Judas asks why the fragrance wasn't sold and the money given to charity. A more apt question might be why Mary didn't use it on her brother Lazarus, dead just a few days before.