This collection is suffused with one of poetry’s most fundamental aims: making meaning out of suffering and loss.
From his youth Lax experienced a love of God that would not abate, calling him toward both solitude and engagement with others.
In the latest issue of the Century, Philip Jenkins writes about how the veneration of Mary cuts across religious difference in Egypt. Egypt was the place where Mary first lit up the imaginations of Christians, but apparently her appeal is not limited by culture or religious heritage. Lately I’ve come across a couple of enchanting books that illuminate this for me.
Simple, measured, and settled, the poems in Ted Kooser's new collection were composed by an artist with nothing further to prove.
E. E. Cummings and James Laughlin didn’t write with metaphysical or philosophical ambition. But that doesn’t mean their poetry doesn’t matter.
Barbara Crooker enters the shades and brush strokes of daily life with such reverence that readers want to take notice, live better, and die better.
As two new biographies and a massive collection of poems show, Denise Levertov's distinctive work and life remain relevant and rewarding.
Christian Wiman offers further evidence that his voice is among the most compelling in contemporary poetry. These poems are filled with theological conundrums, unanswered questions, brutal answers to questions never formed, and above all, contradictions.
Ministry is one of the only professions besides writing where a person has daily need for poetry. Poetry refreshes and renews language and adds insight to stories we’ve heard many times. It can be woven meaningfully into sermons, and it bolsters the human spirit. But pastors often turn to the same poets over and over again, and time to explore new territory is limited.
"Poetry invites you to have an experience. It doesn't want you to drift away into inattention. It wants to grab you."