Mainliners in film
This year's Sundance festival featured several films
offering unflattering portrayals of evangelical Christianity. Alison Willmore raises a good question
about independent cinema:
If faith is still such an
important part of American life, why is it met with such a lack of empathy in
so many indies that theoretically go in search of a more sincere, less
"Hollywood" version of characters and stories?
Part of the problem is that,
like Chekhov's gun, a character's faith isn't generally introduced in a film
unless it's going to have something to do with the eventual outcome. If
religion is just a normalized aspect of someone's life that he or she is not
going to have challenged, including it on screen could be seen as a loose end.
But that means that when you see films with themes of contemporary religion,
they're either there to fill in preexisting and frequently negative
assumptions, or religion is what the film is explicitly about.
If Willmore were talking about the small screen along
with the big screen, this would be an opportunity to point out how well the
show Friday Night
Lights handled stories
about a part of the U.S. in which Christianity is a normalized aspect of life.
(We FNL evangelists never miss an
opening.) That aside, Willmore's examples are films that portray evangelical
contexts, some mainstream and some fringier. What about films that present a
more progressive Christian faith as a simple and dignified fact of a
character's life, not a primary subject to be propped up, torn down or
I can't think of many; one that comes to mind is Kenneth
Lonergan's excellent You Can Count On Me,
but that came out more than a decade ago. Any recent nominees?