Public ritual might be construed as a benign relic, as imperialism, or as marketing. Or it might be seen as a form of pilgrimage.
When I was a child, I read only baseball box scores. More recently, when Marilynne Robinson has a new book I immediately order it.
The primary problem with American political culture is that almost all of our scrutiny goes to the human beings running for president.
Neuroscientist Kenneth Hayworth is opposed to death, and he thinks he has a solution.
In the ninth century, Timothy I was a global statesman. In the 20th, Raphael Bidawid led a tiny denomination in the paranoid Iraq of Saddam Hussein.
Each time Walter White gets away with something, I can't help cheering him on—while also shuddering at his depravity and my own complicity.
The psalmist knows loneliness. Even the most faithful believers have anguished over the fear that somehow God is not listening to their cries.
Burrell’s memoir is driven by Jung’s observation that the story of our lives is the story of our times, and it is our task to see how that is the case.
"Noise is not the most important problem in the world," Garret Keizer begins. But he makes a robust case for noise's far-reaching effects.
In The Clash Within, Martha Nussbaum explored the capacity to entertain the other as key to a democratic society. Now she considers angry resistance to the other, bringing her usual erudite analysis and intense moral passion.
Sheldon Garon contends that Americans lack moral teaching on wealth, public policies that encourage saving, and a cultural ethos that nurtures thrift.
Atina Diffley and her husband are organic farmers in Minnesota. Her book contains three stories in one.
In his storied career, Jim Dickinson produced some of rock’s greatest acts (Big Star, the Replacements). Here his sons Luther and Cody, who gained fame as the North Mississippi Allstars, accompany him in a live gig recorded three years before his death in 2009.
The new Beach Boys record doesn't always work, but when it does it dials in the group's age of innocence, filtered through years of experience.
Working with producer John Abbey (who has played with Daniel Lanois and Ray Davies), Emily Hurd turns in a soulful, tender album that recalls the best of Lucinda Williams and Shawn Colvin.
Named “Most Promising New Talent” of 2008 by Acoustic Guitar magazine, Trace Bundy has been impressing audiences with his playing, which will please fans of Phil Keaggy, Michael Hedges and Laurence Juber.