Graham's altar calls never featured much fire-and-brimstone rhetoric. Neither does Charlotte Elliott's positive, gentle song.
Hymnbooks offer songs from many cultures and genres. But trying new music can be a risky venture for leaders and congregations alike.
Many churchgoers greet the announcement of a new hymnal with a single puzzled, even outraged question: Why?
In preparing the new PCUSA hymnal, our committee may have made some wrong decisions. But they weren't careless or cavalier ones.
When I left North Carolina at age 22, I never planned to be back in a Baptist church. Years later, here I am.
It's a truism that Christianity lives and breathes as much (or more) through music as through preaching or teaching, to say nothing of dense theological texts--so Christian preachers and teachers should be on the lookout for ways to incorporate the great hymns of the tradition into our sermons, lessons and other theological work.
She is foggy, struggling to find the old gifts of conversation. But she knows me, I think. I tell her all of the reassuring things that pastors say in such a setting. "The Creator who has watched over you all of the days of your life is now holding you in those sacred hands." She smiles and struggles to respond with words I barely understand.
The struggle to choose the hymns for the small rural congregation I serve is a microcosm of the challenges faced by members of the Presbyterian Committee on Congregational Song (PCOCS) as it decides what hymns and songs to include in the next Presbyterian Church (U.S.A.) hymnal and electronic resources.