choral music

Richard Danielpour’s universal Passion and James Primosch’s mass for doubters

Andrew Gant's lively book tells a history of sacred song.

The church’s recognition of the reality of radical evil opened its music to dissonant, jagged 20th-century soundscapes and what they could express.

In a place where the religious other quite recently meant the invading army that killed your father, Pontanima's work is remarkable.