Some of us owe a large part of whatever prophetic imagination we have to the creative powers of Bruce Cockburn. For pop-music-loving Bible readers of my generation, chances are he came to us via U2 of the late 1980s. In “God Part II,” from Rattle and Hum (1988), Bono tells of a late-night radio singer announcing his resolve to “kick the darkness / Till it bleeds daylight.” Liner-note readers like myself found next to this devastatingly evocative phrase a footnote introducing Cockburn, from whose “Lovers in a Dangerous Time” the line was purloined.
Lillian Daniel's book is a feast of words—funny, ribald, tiptoeing to the edge of sarcasm, yet full of love and unflinching hope.
In a guinea pig memoir, the intrepid narrator tries on a practice for a period of time, often a year, in the hope that the project will lead to personal or prophetic insight, renewed hope for the future—and a book deal.