Forensics television is more than gory titillation and casual senationalism. These programs scratch at religious itches: they try to see beyond death and long for ultimate justice.
Every Batman story explores the nature of good and evil—or more specifically the often blurry line between the two. The Dark Knight takes the Batman-Everyman story in fresh directions, ones germane to a world confronted with terrorism. The movie raises the question: What is worse or more demonic: a terrorist with principles (even if that principle is nothing grander than accumulating more and more money) or one without?