Churches need to take time to discern their particular Christian formation mission. Only then can they choose curricular resources to support this.
Easter | Fourth Sunday of Easter (Year A)
Acts 2:42-47; Psalm 23; 1 Peter 2:19-25; John 10:1-10
This Sunday of words and songs about sheep and shepherds has always challenged me. For most of my preaching life I’ve been in or near a city. Now I live in New York City, where as far as I know even the Sheep Meadow in Central Park has no sheep. Yet here is an enduring image from Jesus, an image captured perhaps millions of times in our art, our songs, our stories.
by Robert RimboApril 15, 2013
Reconciliation requires relocation. To see the effects of our food choices, we have to get close to the land.
It’s the second movement of Leonard Bernstein’s choral work, Chichester Psalms. A boy soprano (or a countertenor), in the “role” of the shepherd boy, David, sings in Hebrew the opening verses of Psalm 23. He is accompanied–sparingly, fittingly–by the harp. The first several measures are tender but not tentative; filled with sentiment, but without sentimentality (this per Bernstein’s instructions). When the women’s voices take over the text at גַּם כִּי־אֵלֵךְ בְּגֵיא צַלְמָוֶת . . . (Yea, though I walk through the valley of the shadow of death . . .) there’s an ethereal echo-canon effect. This part of the movement, when executed well, is something sublime.