Luke

My favorite Christmas book is The Donkey’s Dream, which is about the journey Mary and Joseph made to Bethlehem. Meant for young children, Barbara Helen Berger’s story is a brilliant and subtle work of theology. Or perhaps antitheology, as it allows simple images to tell us more than words can convey about what the incarnation signifies.

An unconfident reader

An unconfident reader

On the walk to Emmaus, Jesus is first recognized as an alien.

I would just as soon skip the first part of this Gospel reading. The Sadducees are trying to trick Jesus by getting him to respond to an impossible question about the resurrection. According to the law, if one of two brothers dies before his wife has children, then his brother marries her. But what if there are seven brothers, and each marries the woman in turn? To whom will she belong at the resurrection?

If I could tell when the end times were on their way by the number of wars, famines, earthquakes and plagues that are afflicting our world, I’d say, “Wow! Here they come!” The Middle East, Africa, Asia, Latin America—you name it, atrocities are taking place. Even in the United States of America, the home of the free, the hope of the huddled masses, the place where no one really has to go hungry, human-caused disaster is everywhere.

I knew the tale of Zacchaeus as we’ve all heard it—a short bad man climbs a sycamore tree to get a glimpse of Jesus—until I heard Charlie Cook preach on it one Sunday in the mid-’70s. Charlie was a short good man, and one of the most extraordinary pastors I have ever known.

The first time I heard the parable of the Pharisee and the tax collector was as a small child attending vacation Bible school at Pond Fork Baptist Church. I remember the end of the little curtained balcony where our class was held, sunlight coming into our room rejoicing through a dusty window, the buzzing of insects in the July fields outside, a flannel board with figures stuck on it, and best of all, the anticipation of a story, followed by Kool-Aid and cookies.

There are moments when you just know what’s coming next. No one has to confirm it for you; the feeling in your gut is confirmation enough. After I lay on the ultrasound table for two minutes, the technician left me alone while she went to find the radiologist. I knew I was in trouble. No one had biopsied anything. No one had uttered the word “cancer,” much less “lobular invasive carcinoma,” but I knew.

Next to the window in my study, where I can’t but see it every day, there’s a framed cartoon from an old edition of the National Lampoon. It’s a spoof of a Medici rose window from the cathedral in Florence, and depicts a laughing camel leaping with ease through the eye of a needle. The superscription reads: “a recurring motif in works commissioned by the wealthier patrons of Renaissance religious art,” while the Latin inscription on the window itself is “Dives Vincet,”or “Wealth Wins!”

An emphasis on the decision character of faith has a long and deep history in the American psyche going back to our Puritan and evangelical ancestors. From Jonathan Edwards and Charles Finney to Billy Sunday, Billy Graham and their successors, faith, as encountered in the idiom both of born-again revivalism and of religious “progressives,” has served as shorthand for “I have decided to follow Jesus.” But the biblical meaning of faith cannot be reduced to individualistic voluntarism.

The best storytellers paint pictures with words, using them to fill our minds with vivid imagery. I remember reading the first Harry Potter novel to my first-grade son. Each time we completed a chapter and I turned the page to start a new one he would shift in my lap and look away from the book. Finally I asked him what was wrong. He replied, “I don’t want to see the drawing on the first page of the chapter because I want to think about what things look like all by myself.”

In these days of Enron, Martha Stewart and wars waged over phantom weapons, we know better than to defend dishonesty. Then why would Jesus offer a parable lauding it? Upon closer inspection, however, this parable is just one in a long line of stories that Jesus tells about how to handle wealth.

I got into trouble once. Big trouble. I was enjoying myself at a barbecue supper with several clergy in a small northern Kentucky town. When we ran out of some food items, I volunteered to drive my MG—with the top down, of course—to find a grocery store. I was on my way back to the barbecue when a local officer nailed me for speeding.

Paul was in Rome, the epicenter of empire, the magnet for people on the lam such as fugitive slaves. He was a “prisoner of Christ Jesus” not only because the Messiah had captured his heart but also because he had boldly proclaimed the grace and peace he had found. Somehow, through the Christian grapevine, Onesimus found Paul and sought shelter with him. Now Onesimus is going back to his owner.

In a story that is unique to Luke, Jesus heals a nameless woman by giving her the freedom to unbend and stand up straight after she has lived for years in crippling bondage. The woman has not asked to be healed. She simply finds herself in Jesus’ presence—and that leads to healing and life for her. This beautiful story, however, is not without conflict.

In this reading from Luke we confront stark and conflictual sayings of Jesus that sit poorly with contemporary images of God. Our culture seems to prize a God with an infinite capacity for empathy, a God who is “nice.” Luke challenges this thinking. He offers a glimpse of redemption for a world that is anything but nice—and that needs much more than a nice God to redeem it.

Here in the rural upper Midwest, it seems every other person has a pole barn. Usually it’s full of old tires, a trailer, dozens of tools gathering rust, coffee cans loaded with lug nuts and screws. Ed and Edna’s place is pretty typical. Edna's cupboards, bureaus, garage, attic and spare bedroom have been crammed full of things that define her. (“Oh, you know Edna Furbelow,” says her neighbor, “she collected Hummels.”) Now that Edna has died and her husband’s pole barn has finally gotten emptied, everything must go.