The runaway slave narratives compiled by Devon Carbado and Donald Weise are as moving as any story by Suzanne Collins or J.R.R. Tolkien.
A man buys a lottery ticket at a small store in Cambodia. Ten years ago, he could have bought a human being there.
Paul Harvey's introduction to the history of African-American Christianity emphasizes both the fraught relationship between black and white Christians and the tensions within black religious institutions and communities.
Just about every marketing card seems to be stacked against Amazing Grace. It’s not just that the film is a costume drama set in England at the turn of the 19th century, or that there are no big-name American actors in the cast. The real obstacle is the setting: it’s a movie about British politicians, in wigs, and the inner maneuverings of the British Parliament. Moreover, Amazing Grace speaks openly of Christian faith and the Bible’s demands for justice for all people—not a recipe for a blockbuster. Yet the film is genuinely inspiring.
We are still free to choose whose slaves we will be.