Last spring I visited the Paris exhibition Cranach in His Time, where I was introduced to a sampling of Lucas Cranach Sr.’s diverse and sometimes puzzling range of work. Cranach (1472–1553) produced more than 1,500 paintings, not to mention engravings, decorative work and altarpieces. I began my tour with his portrait of the powerful and shrewd Frederick the Wise, who was Saxon’s ruling elector, Cranach’s patron and Luther’s protector. A little further on I studied a portrait of Luther, Cranach’s friend and partner, painted as a nonthreatening monk—an effort to persuade his critics that he was not dangerous.
July 6, 2012

The biggest question about social media and the church is not how the church can harness the power of social media for good ends while safeguarding against bad ones (useful as such discussions may be). It's how social media is changing what it means to be church.
August 16, 2011