It’s easy to write Kris Kristofferson off as another country songwriter trawling the shallows of whiskey, diesels and cornpone imagery. But that’s a myopic read of the Rhodes scholar, William Blake devotee, Golden Gloves boxer and helicopter pilot.
A theology professor of mine liked to remind our class that everyone’s a theologian. I don’t think he meant that everyone’s a particularly good theologian or has something significant or meaningful to say. The point was that we should always be on the lookout for how people theologize, how they conceive of God in real life. You may not find a more popular theologian right now than Macklemore.
I've always been immersed in music, and I never forget a song lyric. So a college friend used to call me "Verse Boy" and would ocassionally challenge me to come up with a hymn or folk song's lesser-known stanzas on command. "National anthem, verse three" he might say, and off I'd go with "And where is that band /Who so vauntingly swore..." (That one's a doozy, by the way. Compared to verse three, verse one might as well be "This Is My Song.") Anyway, this week someone linked to an old Mental Floss post on subsequent verses of children's songs.
I once wrote that the Felice Brothers have one capable lead singer at best: while Ian Felice sings more expressively than his brother James, it’s not a pretty sound. But I was overlooking the Catskills folk-rockers’ third brother, Simone.
In preparing the new PCUSA hymnal, our committee may have made some wrong decisions. But they weren't careless or cavalier ones.
Many churchgoers greet the announcement of a new hymnal with a single puzzled, even outraged question: Why?
Growing up, my listening habits progressed from the evangelical subculture’s schlockiest pop to its Americana fringe to secular alt-country. One common thread: prolific sideman Phil Madeira.