Now in his seventies, Aaron Neville can still locate the incredibly sweet spot between full voice and falsetto. The R&B legend’s singing remains mellow but quietly forceful—as if he could let loose at any moment but chooses not to.
The best hyphenated genres don’t combine disparate worlds; they embrace commonality.
Most Americana duos don’t sound as much like Gillian Welch and David Rawlings as people say they do. But the Milk Carton Kids’ resemblance is uncanny.
Another day, another talented Americana songwriter immersed in the language of a faith he doesn’t profess.
A week from Sunday, on the Feast of the Reign of Christ, Holy Covenant UMC in Chicago—where I work part time as a musician—is holding its second annual service spotlighting the music of Bob Dylan. (Not calling it a Dylancharist.) If you're in Chicago the evening of 11/24, come out and join us. Below is the piece I wrote for the church newsletter.
Malian singer, songwriter, and guitarist Rokia Traoré has long blended West African music with occidental influences. Her fifth album, produced by P. J. Harvey collaborator John Parish, features the strongest rock element yet.
In my article on alternatives to the Revised Common Lectionary, I praised the African American Lectionary's extensive resources, but I didn't really describe them in any detail. There is a wealth of good stuff on the AAL website. The AAL is based on weekly themes, many of which do not correspond to the liturgical calendar the RCL follows. This Sunday is Caregivers Day, one of several new AAL observances this year.
Not since U2 has a pop music act with decidedly Christian leanings generated as much discussion, derision and delight as Mumford and Sons.
In a major hymnal, an unauthorized edit is an embarrassing oversight. In the local church, it's pretty routine.
Boy, "In Christ Alone" just will not stay out of the churchy news. A few weeks ago it was standing in for all hymnody ever in the face of the chorus-singing horde; now it's standing in for confessional evangelicals' valiant defense against the liberal horde. Coming soon: "In Christ Alone" as a symbol of resistance to common-cup communion, or missional-everything fervor, or preaching from your iPad. But about that liberal horde.
I like Keith Getty's "In Christ Alone." I think the PCUSA hymnal committee probably made the right call on the whole "wrath of God was satisfied" business, but still: it's a good song for congregational use, accessible but with some theological meat. It's a little bizarre, however, to present "In Christ Alone" and Getty's other songs as one side of a two-sided debate over church music, as NPR does here.