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The psalms are poignant. They bear emotion in a way that grabs our souls. They are comprehended by the heart in a way the head can’t.
But I falter when I try to preach them.
The psalms are poignant. They bear emotion in a way that grabs our souls. They are comprehended by the heart in a way the head can’t.
But I falter when I try to preach them.
The psalms are poignant. They bear emotion in a way that grabs our souls. They are comprehended by the heart in a way the head can’t.
But I falter when I try to preach them.
It’s the second movement of Leonard Bernstein’s choral work, Chichester Psalms. A boy soprano (or a countertenor), in the “role” of the shepherd boy, David, sings in Hebrew the opening verses of Psalm 23. He is accompanied–sparingly, fittingly–by the harp. The first several measures are tender but not tentative; filled with sentiment, but without sentimentality (this per Bernstein’s instructions). When the women’s voices take over the text at גַּם כִּי־אֵלֵךְ בְּגֵיא צַלְמָוֶת . . . (Yea, though I walk through the valley of the shadow of death . . .) there’s an ethereal echo-canon effect. This part of the movement, when executed well, is something sublime.
It’s the second movement of Leonard Bernstein’s choral work, Chichester Psalms. A boy soprano (or a countertenor), in the “role” of the shepherd boy, David, sings in Hebrew the opening verses of Psalm 23. He is accompanied–sparingly, fittingly–by the harp. The first several measures are tender but not tentative; filled with sentiment, but without sentimentality (this per Bernstein’s instructions). When the women’s voices take over the text at גַּם כִּי־אֵלֵךְ בְּגֵיא צַלְמָוֶת . . . (Yea, though I walk through the valley of the shadow of death . . .) there’s an ethereal echo-canon effect. This part of the movement, when executed well, is something sublime.
Snow can be tiresome, even deadly, but it can also be a sign of holiness and of hope.
by Rodney Clapp
Snow can be tiresome, even deadly, but it can also be a sign of holiness and of hope.
by Rodney Clapp
Snow can be tiresome, even deadly, but it can also be a sign of holiness and of hope.
by Rodney Clapp
Snow can be tiresome, even deadly, but it can also be a sign of holiness and of hope.
by Rodney Clapp
Do we play semantic games when we try to explain the words away? The mention of fear is typically wrapped up in abusive relationships, but we can also fear disappointing someone we love dearly.
In my church we've been exploring the idea that God is fully present in each person of the Trinity. Recently our focus has been on the Holy Spirit. On Trinity Sunday, a week after Pentecost, it might be fruitful to consider the implications of this full presence of God in the Spirit.
Faith, birth, vocation: our readings offer us profound, intimidating terms for thinking about what it means to be in relationship with God.
by Samuel Wells
"Mary has chosen the better part," says Jesus, "and it will not be taken away from her." This is not what Jesus is supposed to say.
"Mary has chosen the better part," says Jesus, "and it will not be taken away from her." This is not what Jesus is supposed to say.
The Christian heritage of praying next to water is older than Christianity itself, being deeply influenced by our Jewish heritage. One of our stunning water-prayer treasures is Psalm 104.
The Christian heritage of praying next to water is older than Christianity itself, being deeply influenced by our Jewish heritage. One of our stunning water-prayer treasures is Psalm 104.