photography
Strange Histories series, original 35 mm slide collages (2013–present), by Ian Trask
art selection and comment by Aaron Rosen
Seeing the image of God in our selfies
Craig Detweiler draws on art history, psychology, and religion to argue that staring at ourselves can be an act of faith.
Serpents and salvation
Glimpses into the faith of snake-handling holiness Christians
Can war be beautiful?
Fiction and photographs offer nuanced depictions of conflict.
The feminine and the land
Theologies of entitlement, enslaving, and extinguishing indigenous communities have shaped policy since the 15th century.
What's outside the photograph's frame?
In a gallery or on Instagram, a camera's lens poses ethical questions.
The devil’s beauty
Like Dmitri Karamazov, Robert Mapplethorpe knows that the beautiful is a battleground—and he's happy to play on the devil's side.
Images of dignity
I grew up around art and a few artists. I looked to people who had a reverence for the world at large. A natural contemplative awareness developed, as in many children before it is covered over. Call it awe, which Abraham Heschel describes as an “intuition for the dignity of all things, a realization that things not only are what they are but also stand, however remotely, for something supreme.”
No wonder I became both a photographer and an Episcopal deacon.