Across the globe, cinematic portrayals of Christianity are increasingly emphasizing its faults.
Robert Bresson’s films are adventurous, brooding, and deeply religious.
I’ve never seen a film that translates grace to the screen like Babette’s Feast. As one of the rare films that focuses on the lined and battered faces of real people Babette’s Feast challenges viewers to love real life. The film embraces God’s love for the embodied, the ordinary and the value of the extraordinary, and a love that wastes nothing.
Cinema has long been a critical medium for exploring religious themes in mainstream culture. Today, filmmakers continue to find a distinctive religious voice.
Not long ago, European religious cinema thrived. Now, religion typically appears in films only as a problem--and the solution to that problem is usually liberated sexuality.