Do Trainwreck and Catastrophe herald a resurrection of the rom-com genre? Or merely a grotesque reanimation?
Last month, The Atlantic published an online piece by staff writer Megan Garber, “How Comedians Became Public Intellectuals.” The article documented how comedy today in both its standup and situational genres is expanding beyond its minutiae focus of the 1990s in favor of a harder-hitting, message-based style evident in the work of Jon Stewart, Stephen Colbert, and Amy Schumer.
Watching Inside Amy Schumer or Broad City, you might conclude that sex is all young women think about. There is something refreshing about this.