Grace Ji-Sun Kim’s theology of visibility
When Asian American women are rendered invisible, the whole church is diminished.
When Asian American women are rendered invisible, the whole church is diminished.
Mark Driscoll’s megachurch radicalized White men by weaponizing the White nuclear family.
Kara Slade’s scathing yet incisive volume abounds with examples of modern hubris.
How a rare books collection in Cairo expanded into a center for scholarship and interfaith conversation
Les soirées de Saint-Pétersbourg has often been dismissed as propaganda. It isn’t.
In the opening sequence of the Netflix comedy series The Chair, Ji-Yoon Kim (Sandra Oh), the first woman of color to head the English department at a struggling liberal arts college called Pembroke University, makes her way across campus amid shots of ivy-carpeted walls and idyllic quads to the exultant strains of Vivaldi’s Gloria in D Major: “Gloria . . . Gloria . . . in excelsis Deo.” Glory to God in the highest.
Christianity is not only about pain and death. It’s about life and joy.
Thomas Gaulke constructs a “belief-fluid” theology of hope.