This painting of Christ driving the money lenders from the temple, by the Late Renaissance painter Ippolito Scarsellino, depicts a story told in all four Gospels. In John’s Gospel, the event occurs near the beginning of Jesus’ public ministry (John 2:13–22). Jesus is immediately identifiable slightly to the left of center in the painting, with arms raised and wearing a pink gown and green mantle. He has removed his belt and made it into a flail. The scene takes place on the porch of the temple in Jerusalem with the Solomonic twisted column clearly visible as one of the money changers grasps it while he stoops to collect the basket of coins he has spilt onto the ground. Sheep, birds, cattle, and horses are all present in the painting, echoing details of John’s version of the incident and indicating that the temple has become a marketplace where sacrificial animals are sold and money is exchanged. One of the birds has escaped, and a young boy, oblivious to Jesus’ actions, tries to trap the bird on a stick. Two women rush off while attempting to regain the attention of a child who is enthralled by what Jesus is doing. During the Catholic Reformation (the time of this painting) this scene, also known as the Purification of the Temple, was used to illustrate the church’s need for reform.
In the foreground of Eugène Delacroix’s classic The Entombment of Christ is a poignant image of the disciple John sitting, bent forward, contemplating the crown of thorns. By painting John and the crown alone, Ebenezer Sunder Singh shines a spotlight on this pregnant moment, offering a chance to ponder the wisdom of God which seems like folly to human beings. “The image of the thorn crown is a recurring phenomenon in my works over many years,” says the artist. “I use it as a compulsive pictorial symbol, and at the same time I revere it as the symbol of pain, shame and hope. I think John in Delacroix’s painting knows this secret, so he is contemplating this symbol of recreation and regeneration.” Singh’s work is shown frequently in galleries in the U.S. and India.
Rod Dreher revealed recently that he couldn't come up with more than six of the Ten Commandments from memory. He also pointed out the irony of this fact coming from someone who often gets on his "high horse about theological ignorance," so I won't pile on.
I've mentioned before that, while I haven't retained everything I learned at my evangelical grade school, I do recall a catchy song for remembering the U.S. presidents in order. We also performed a lot of musicals, including the popular '80s Christmas program Angels Aware.