I enjoyed Michelle Boorstein's piece of reporting on M. Div. students who aren't headed for parish ministry. She details how some seminarians seek to be ministers of a sort as part of their calling to other vocations; she also touches on the challenges of post-Christendom pastoring and the need for more flexible and affordable paths through seminary.
Somewhere in my queue of non-time-sensitive articles to write—yes, it’s been there a while—is one on the history and practice of making theologically significant changes to traditional American songs. Not just line-level edits like neutering/diversifying gendered language or using “love” in place of “wrath.” I mean re-imagining songs in a thoroughgoing way, while also preserving much of the existing imagery and language patterns. (I posted some time ago about one historical example.)
I write songs and play traditional music, but I haven’t actually tried this approach myself.