There is at present a stream of good and interesting books on the Hebrew Bible’s King David, written by first-rate scholars. These books variously address historical and sociological questions concerning the rise of the monarchy in ancient Israel, but they tend to find most interesting the artistic offer of the narrative presentation.
Now and then, someone will ask me “what kind of Christian” I am. I never used to know how to respond.
I would ramble on about how I’m sort of a theological moderate, though it’s not that helpful to think of us Christians as existing on a linear continuum, and I’m less focused than some of the Christians I grew up with on individual salvation, not that I think it doesn’t matter, and I’m wary of efforts to convert people of other faiths, which isn’t to say that I don’t value evangelism or the uniqueness of Christ... By this point the person typically lost interest in my endless run-on sentence of negative definition and preemptive defensiveness. I was left wishing I’d just said, “Lutheran.”
Then came the 2008 election and the Matthew 25 Network.
I have met them in the Uffizi the angel hunched on bended knee— his thigh thick beneath his satin robe— the virgin’s urgent contrapposto her sudden arm extended long beyond the border of her cape halting his rehearsed song as if his theme weren’t love but rape.
Her face impossibly serene does not betray her body’s fear. His deathless eyes have never seen a mortal woman quite so near. The space between their outstretched hands salvation in a single glance.
In 1595, the English Jesuit Robert Southwell wrote “The Burning Babe,” a startling, unsettling poem about the incarnation—which means, given Southwell’s rich theological imagination and deep Catholic piety, that it is also a poem about suffering and salvation. And about the human predilection to resist divine love.
Three hundred seventy-one years later, Denise Levertov penned “Advent 1966.″