Via CCblogger Scott Gunn, here's a fun new video from Lutheran Satire. I appreciate the main points here: that the faith formation of young people begins in the home (see this Century interview with another Lutheran) and that the main thing that draws anyone to the church is not pop-culture sensibilities but the proclamation of good news (an even Lutheraner notion). But I'm not sure what this has to do with the U2charist and the other single-secular-artist-themed worship services it's spawned.
Llewyn Davis lives a decidedly nonromantic existence as a starving artist. He’s a good musician, but there are thousands like him, and they can’t all succeed.
Nearly 50 years ago, Bob Dylan romped through a century of American warfare in his song “With God on Our Side.” From killing Indians to developing nuclear weapons, in Dylan’s view Americans acted with the hubris of knowing they had divine approval. After all, “You never ask questions / When God’s on your side.” Dylan’s verses didn’t mention the Revolutionary War, but they just as well could have.
While my home church sang praises to King Jesus and also ran a food pantry, the Feast of the Reign of Christ boldly proclaims that the hungry won't be hungry forever. While others in the '60s juxtaposed sweet harmonies with earnestly social lyrics, Dylan conjured a complex vision of social upheaval—a vision both threatening and profoundly hopeful.
After school, I was milking the cow and listening to the radio when I heard a menacing baritone intone the words, "I shot a man in Reno just to watch him die." It made an impression.
I probably shouldn't be surprised if I learned that, when N. T. Wright isn't busy exegeting, episcopating or writing best-sellers, he throws 100-mph fast balls and makes award-winning beer. But for some reason I was a bit startled to find out that he's not only a Dylan fan but a pretty decent singer, too.
Bob Dylan released his first album 50 years ago this week. That self-titled debut is not the Dylan record anyone listens to most--it includes only two original tunes--and as Andy Greene details, it was not a smashing success. But it opened the door for Dylan to come back just months later and record The Freewheelin' Bob Dylan, which propelled Dylan's staggering career.