My favorite Christmas book is The Donkey’s Dream, which is about the journey Mary and Joseph made to Bethlehem. Meant for young children, Barbara Helen Berger’s story is a brilliant and subtle work of theology. Or perhaps antitheology, as it allows simple images to tell us more than words can convey about what the incarnation signifies.
Mercy is not what we’re about, and I suspect we don’t want our God to be about it, either.
Some 50 years ago, Merton warned us about what can happen when “all words have become alike.”
The preacher must remind those who feel worthless already that Isaiah is not trying to make them feel worse.
My extended family once had so many males named Frederick that the women in the family assigned each of us a number so the tribe could distinguish between us at family reunions. I became Fred IV. A casual observer might have thought that we considered ourselves royalty, or perhaps a line of renegade popes.
Isaiah and the Baptizer conspire to give us animal dreams in this dark season of Advent. The earlier prophet’s vision warms our hearts. Who among us hasn’t yearned for a world in which lambs could hang out with wolves and adders behave as though Mr. Rogers had taught them how to play with children? A strange political critter appears in the dream as well, one that’s not the puppet of pollsters and the powerful, but a leader with the heart and Spirit of God.
Few know blindness so profoundly as prisoners who once could see the whole world but now find the universe shrunk to the size of a cell. Inmates hear only what jailers allow, most often some version of “We own you.” As for music, the rhythm of one’s own pulse must suffice, and that hardly leads to dancing. One can even forget how to walk.
Few things are more complicated than trying to erect a new monument in the heart of Washington, D.C., but on September 9, 1997, a gigantic crane cut through all of the red tape encircling Judiciary Square and lowered a four-ton sculpture to its permanent cement base. What made this particular installation remarkable was the biblical symbolism of the sculpture’s design. Titled “Guns into Plowshares,” this 16-foot-high steel plow blade consists of 3,000 handguns welded together to form the distinctive shape of the well-known farm implement. Artist Esther Augsburger and her son worked for two and a half years with the Metro Police Department. They molded handguns that had been surrendered by local residents.
When I was a small boy in Ireland my parents would take us to our grandfather’s farm near Castlecomer in County Kilkenny. On the farm there was a hired man whose name was John Brennan. John lived in a thatched cottage about half a mile away. In the evening after the cows were milked, he would sit on a large flat stone outside the stable door and smoke a stained clay pipe. Sometimes I would sit beside him and he would tell me stories.