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What makes Good Friday different?

On Good Friday we face conflicting urges, on multiple fronts.

On the one hand, I don't want to be one of the Christians who Gardner Taylor called "a Resurrection people, but not a Crucifixion people." I don't want to rescue Jesus from the cross--the weekly tendency of many preachers, and I think a poor interpretation of "bringing the good news." It is a reality: Jesus died.

The gravesite and the marathon

I have a friend who visits his mother's burial site each year on the anniversary of her death. When the day comes, the mood is always solemn and deeply reflective--and tremendously difficult for other people in his life. What they don't know is that this annual ritual is generative, corrective. It helps anchor my friend for the rest of the year. 

I have another friend who almost never visits his parents' gravesite.

The passion hurts

During Holy Week, it's common for worship leaders to ask people to consider their place in the drama of Jesus' final days. To what extent do we betray him, deny him, insult him, crucify him? When do we, like the crowds, find ourselves gawking at suffering with prurient glee? When do we, like the thieves, alternately ridicule the truth, then believe in it? When do we, like the centurion, make our confession--though perhaps a moment too late?

Beautiful service

Several years ago I taught a Sunday School class on the Saint John's Bible, a beautiful hand-calligraphed and illustrated version of the Bible that took several years and a whole team of artists to create. I showed the class a video about how the project came together, and the class was spellbound, as I knew they'd be. The illuminations make you want to lean into the scripture. The Saint John's Bible fosters awe and wonder toward the God who gives us not only the sacred story but also the artists who make it come alive.

Near the end of the video, the narrator shares the cost of this tremendous project.