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Study for MYDHA and Study for SYAH, by Tobi Kahn 

Tobi Kahn is fascinated by the edges of abstraction. The surfaces of his paintings swell with forms that can appear both macrocosmic and microcosmic, as if depicting the contours of a distant nebula or a cell dividing under a microscope. In 2019, Kahn set himself yet another challenge, taking up the human figure as subject for his paintings and works on paper for the first time in more than 30 years.