Kicking at the Darkness, by Brian J. Walsh

Some of us owe a large part of whatever prophetic imagination we have to the creative powers of Bruce Cockburn. For pop-music-loving Bible readers of my generation, chances are he came to us via U2 of the late 1980s. In “God Part II,” from Rattle and Hum (1988), Bono tells of a late-night radio singer announcing his resolve to “kick the darkness / Till it bleeds daylight.” Liner-note readers like myself found next to this devastatingly evocative phrase a footnote introducing Cockburn, from whose “Lovers in a Dangerous Time” the line was purloined. From there I’m guessing sales of the Canadian bard’s albums—he’d been putting them out since 1970—spiked more than a little.

 

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