Some of us owe a large part of whatever prophetic imagination we have to the creative powers of Bruce Cockburn. For pop-music-loving Bible readers of my generation, chances are he came to us via U2 of the late 1980s.
Howard Zinn wants to do history justly. He seeks to bear witness to a past that’s never exactly past, and the acts of remembering he demands of his audience (and himself) mesh seamlessly with an intense and determined awareness of present goings-on. Zinn understands that remembrance and awareness don’t come naturally to us.