Nostalgic country-gospel records inhabit a liminal space between personal-historical document and genuine religious statement: these songs meant a lot to my family, and they mean something ambiguous to me. One of the best is Iris DeMent's Lifeline, on which the Pentecostal-raised agnostic gives heartfelt readings of her mother's favorite songs and even pens a thoroughly biblical original.
Daniel Martin Moore's latest follows this path but enlivens it a bit. Its 11 songs include seven traditional hymns. The arrangements—produced by Moore and Daniel Joseph Dorff—start with low-key traditional gospel but take a measure of liberty to loosen things up.