Kathryn Reklis teaches theology at Fordham University and is codirector of the Institute for Art, Religion and Social Justice.
Seven of this year's eight best picture nominees are stories of lone, white heroes—stories that seem out of touch with the times. The exception is Selma.
Like Sarah Koenig, I want to know if we can believe Adnan Syed. But I only know Syed through Koenig’s accounts of him in Serial.
The Complete Series
To give & to receive
On Masters of Sex, the wired-up naked bodies are not nearly as titillating as the melodramas that unfold when the characters are fully clothed.
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