Kathryn Reklis teaches theology at Fordham University and is codirector of the Institute for Art, Religion and Social Justice.
The generational gap between 25 and 42 might seem not that great. But Noah Baumbach has explored the subtle differences in many films.
A TV show can present a minority group as "respectable" or as people who are as screwed up as anyone else. Transparent goes with option two.
Seven of this year's eight best picture nominees are stories of lone, white heroes—stories that seem out of touch with the times. The exception is Selma.
Like Sarah Koenig, I want to know if we can believe Adnan Syed. But I only know Syed through Koenig’s accounts of him in Serial.
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