There is an ongoing debate about the angels in Andrei Rublev's icon of the Trinity, painted around 1410, and about which one represents the Son and which the Holy Spirit. For the Word become flesh, my money is on the one wearing blue and brown, for those hues suggest one who comes from heaven to earth to reconcile both in his one person.
The greatest Christmas carol in history was not written by Irving Berlin or Nat King Cole. The greatest carol is not “Grandma Got Run Over by a Reindeer” or “White Christmas” or even “Silent Night.” The greatest carol was composed 2,000 years ago by a pregnant teenage girl who was visiting her cousin Elizabeth.
The build-up to Christmas bombards our senses—the constant blinking
of Christmas lights, the pervasive wafting of pine-scented potpourri,
the drone of “sleigh-bells ringing.” No wonder we lose sight of what
we’re really looking for in Advent, the signs of the one who is to come.
With each Sunday of Advent, it is as though the Spirit brings us deeper into the Presence by bringing us closer to having our feet on the ground, closer to the present, and closer to our own hearts. The divine Heart Surgeon is reconfiguring our desires so that we can inhabit both the Presence and the present. How else can we be made alive?
The glad song Mary sings to her cousin Elizabeth in Luke’s Gospel functions like a lighted magnifying glass. It illumines, making possible the discernment of something that was there all the time, but difficult to see without aid. Mary sings of the whole new order of things that God is creating all around us, one in which the hungry are filled with good things and the rich, who have unwisely filled up on so much that does not satisfy, are emptied so that they can have their real hungers met at last.