This story is full of echoes—most famously, Mary's song echoes Hannah's. But there is another echo: Elizabeth's praise of Mary, which gets taken up into the Hail Mary, is an echo of Deborah's song in Judges 5.
In the latest issue of the Century, Philip Jenkins writes about how the veneration of Mary cuts across religious difference in Egypt. Egypt was the place where Mary first lit up the imaginations of Christians, but apparently her appeal is not limited by culture or religious heritage. Lately I’ve come across a couple of enchanting books that illuminate this for me.
I once read Luke 1 on a park bench during a jazz festival. I was practicing the art of reading scripture in an unusual location to see what this reveals in a familiar text. I pictured Mary as a jazz singer.