Last spring I visited the Paris exhibition Cranach in His Time, where I was introduced to a sampling of Lucas Cranach Sr.’s diverse and sometimes puzzling range of work. Cranach (1472–1553) produced more than 1,500 paintings, not to mention engravings, decorative work and altarpieces.
I began my tour with his portrait of the powerful and shrewd Frederick the Wise, who was Saxon’s ruling elector, Cranach’s patron and Luther’s protector. A little further on I studied a portrait of Luther, Cranach’s friend and partner, painted as a nonthreatening monk—an effort to persuade his critics that he was not dangerous.
"Religious commitments are no longer taken for
granted as part of North American people's lives," says Scott Kershner of Holden Village, a Lutheran retreat center in Washington State. "So space opens up to
ask very basic and interesting questions."
As the end of the millennium approaches, many Christians are preoccupied with questions that concern the end of the world. Here is one important eschatological theme on which you are unlikely to have heard a single word.