In The Sea and the Mirror, W.H. Auden audaciously wrote new poems in the voices of each character in Shakespeare’s The Tempest, all set after the action of the play concludes. The result is a work both wonderfully reverent and plainly modern—you might even call it modern in its reverence.
I would have hoped that anyone presuming to put out a book called A New New Testament would borrow Auden’s approach and give us a genuine literary and theological invention.
If anyone ever did a word search of four decades’ worth of these columns, it is not likely that cat would ever show up. I am neither pro-cat—I sneeze when one comes near—nor con-cat—I don’t want to lose any cat-loving readers. I am just neglectful of felines.
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