One might be weary of flesh. One’s own, another’s. Flesh of neighbor, stranger, passerby. Flesh of the real or the imagined lover, or secret flesh that mind and heart deny. One might be shut of it, freed from the nerve, but flesh is merciless, confines us, binds us to our servitude to cleft and curve. Even You have been a slave to this, true Spirit, on that wild night, delirious, piercing the meat of life. And since? Scandal to our atoms when flesh, merging with flesh, happens on You in single, paradoxical bliss. Perhaps all earth shall plunge toward sun, savage with desire to be One.
Those days, I sat on our front porch holding my daughter, my arms and chest vibrating with joy like a tuning fork. Atoms of our happiness fell in on one another like gears turning at the heart of the universe. When stars came out at noon, the meadow of my hollow hand was filled up with strange light. How can it be now that we are two separate islands in an ocean of blue water? I think of my own mother long ago, sitting on her porch with me. That distant island. When my daughter sits on her porch this summer, holding her own child I will watch her from my island. I will call to her over the blue water.
Before the dust had settled from the tramping boots, he’d appeared. Eyes beheld him to their confusion but when he breathed upon them they remembered the spring green hills of Galilee, the cool evening air scented of olive, laurel, clematis, myrtle. A peace they could not reckon. A dove called.
Left to the silence, they could hardly recognize themselves. How strangely their voices sounded and what unlikely things they must have said.
During Hitler’s siege of Leningrad in the winter of 1941–42, the Russian composer Dmitri Shostakovich and the entire Leningrad Philharmonic were evacuated from the city. A performance of Shostakovich’s seventh symphony, dedicated to the city of Leningrad, was planned for August 9, 1942. There were barely enough musicians left in the city to perform it. The score had to be flown in over German lines, and musicians were pulled from the front lines to bolster the meager ranks of musicians left behind. This performance was a show of resistance in a city which had just lost 1.2 million people (NPR, November 2).