The 200 black and white photos are glorious enough to make this book worth the price, even without the rich accompanying text. Giffords spies architectural influence from five continents in the churches of colonial New Spain, which stretched from what is now central Mexico up to northern California. Occasionally the facades and interiors of these churches pile up architectural styles in a gaudy baroque, but much more commonly these sanctuaries allow the pale light and endless sand of colonial Mexico to play on altars, pews, side chapels and countless images of the Virgin and Child. A gorgeous reminder that all those “San” towns in California and that iconic image of the Alamo were once ecclesial markers before they became American ones.


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