In 2005, just in time for Easter, Mel Gibson released an edited version of his controversial film The Passion of the Christ. A few brutal scenes had been cut and camera angles had been changed, all in an attempt to soften the graphic violence of the original. Gibson said that the new edition of the film would appeal to people who “want to take your Aunt Martha or Uncle Harry” to see it but who would find the first version too intense.
Edgar lived alone in a welfare motel among prostitutes and drug abusers. He was a bit rough around the edges and would sometimes get loud and demanding. But for all his rough edges, Edgar was the only person who passed for a pastor in that backwater parish of broken souls. And there could be no more fertile soil for biblical "church growth" than the concrete motel parking lot and those waiting children of God with their wisdom "from below."
If Mark’s gospel were a movie, this scene would make the perfect trailer. Without entirely giving away the ending, it summarizes all the major themes of Mark’s Gospel. In a nutshell, it offers everything that is quintessential Mark: the journey toward the cross, suffering and death, wrongheaded disciples, the reversal of power and Jesus’s reflection upon the meaning of his mission.