Franklin Graham, son of the famous evangelist, recently warned that the rise of Ebola signaled that we are living in the last days. Few people noticed. Christian filmmaker Paul Lalonde released an awful movie in October about the end of the world. Despite snagging Nicolas Cage for the lead role, Lalonde’s retooling of Tim LaHaye and Jerry Jenkins’s bestselling Left Behind books fell flat with audiences.
In theaters now, Nicholas Cage is taking us to the beginning of the end of time. A time when passengers vanish mid-flight, cars lose their drivers, and those who aren’t raptured face a violent world and a monumental choice: follow the Antichrist toward destruction or follow the righteous and be saved from the world. It’s the end of the world as we know it, and no one’s feeling fine.
Years ago, when the Left Behind series topped the bestseller lists, a friend and colleague of mine was on fire over the books.
An evangelical entertainment troupe has abandoned plans to send a controversial video game in care packages to U.S. troops in Iraq.
As a member of the Pentagon’s “America Supports You” program, Dallas-based Operation Straight Up planned to include copies of the apocalyptic video game “Left Behind: Eternal Forces” in care packages for the military.
Schmidt and Felch, both of whom teach literature at Calvin College, have produced anthologies of writings—including both prose and poetry—about each of the seasons of the year. Summer includes writers as disparate as Anne Lamott, Walt Whitman, N. Scott Momaday and Madeleine L’Engle.
At first glance, it might seem that The Da Vinci Code and the Left Behind series occupy opposite poles of the cultural spectrum. The former’s effort to reaffirm the “sacred feminine” with the claim that Mary Magdalene was Jesus’ wife is the sort of reworking of tradition that presumably appeals to far-out liberals.
The hugely popular “Left Behind” series of novels continues to frustrate mainstream pastors and biblical scholars who object to an “end-times” theology they consider just as fictional as the books’ genre. The readers are real, however. The tenth and most recent volume in the series, The Remnant, picked up 2.4 million orders in the two months before its July release.