I was drying dishes and absentmindedly singing the song that had been stuck in my head for days when my husband suddenly came barreling down the staircase and into the kitchen. Looking frantic, he asked me what had happened. We were both confused; he was convinced that I had cried out in pain, and he fully expected to walk in on a grisly cooking incident.
We quickly realized the source of the miscommunication. The song I’d been singing was Lady Gaga’s “Judas,” and I sounded like a lady in distress as I belted out, “Judas, Juda-a-a.”
Despite its state-of-the-art computer graphics and eye-catching special effects, Minority Report is basically a chase movie built on a question—one that Charles Dickens explored in A Christmas Carol. Dickens's Ebenezer Scrooge asks the visiting spirits if his foretold future of loneliness and gloom is how things "will" be, or how they "might" be.
Two portraits graced my study walls for many years: Holbein’s Erasmus and Cranach’s Luther. Already in high school I was enjoying Erasmus’s Julius Exclusus and other satires critical of the pope; even earlier I was reading Luther’s catechisms.
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