As the band of weary travelers leapt, ran, and tumbled away in dazzling fashion from a caveful of goblins in The Hobbit, I was convicted. I’m a late Gen-Xer, and I’ve seen plenty of impressive cinematic special effects in his life, from Forrest Gump to Independence Day to The Matrix.
In Poetic Theology, William Dyrness tries to keep one eye on the historical conversation about art's theological value, one eye on the issues of the contemporary church, and one eye on the interests of art itself. As the metaphor implies, this project could make anyone dizzy.
Support the Christian Century
The Century's work relies primarily on subscriptions and donations. Thank you for supporting nonprofit journalism.