Joseph Campbell, the great scholar of mythology, once said that we should read other people’s stories because when we read our own, we assume they are factual, but when we read the myths of others, we begin to understand symbolism, and our imaginations transport us into realms of deeper meaning.
For 20 years I taught James Joyce’s Ulysses every year, but I don’t get to anymore—new university, new job description. I miss it terribly, even though my opinion of its quality wavered from semester to semester.
The Damnation of Theron Ware, by Harold Frederic (1896), is the fictional tale of a sheltered Methodist minister who is suddenly bombarded with new theories of biblical criticism, exposure to Irish Catholic practices, and the allure of emerging ideals of the “modern woman”—all of which shake his religious foundation.
The kindergarten bus bounces past me this morning as I shamble out to my car and a little cheerful kid waves To me shyly and whatever it is we are way down deep Opens like a fist that’s been clenched so long it did not Think it would ever open again and for a moment I am That kid and she is my daughter and I’m waving to her Hoping she will wave to me and we think that we can’t Write that for which we do not have words but actually Sometimes you can if you go gently between the words
Bill Haslam, Republican governor of Tennessee, recently vetoed a bill that would have made the Bible the official state book. Haslam is a Christian who says his favorite authors are the popular Christian writers Philip Yancey and Eugene Peterson. The governor said the nation’s founders “recognized that when the church and state were combined, it was the church that suffered in the long run.” Treating the Bible as a cultural artifact trivializes it, he argued. The two Republican sponsors of the bill said they would try to override the veto, which can be done with a mere majority of votes in the two chambers of the state legislature (Los Angeles Times, April 17).