I got "saved" at a Carman concert when I was 12. It wasn’t the first time. But it was the first time I asked Jesus into my heart publicly, at an altar call. My friends and I became disciples overnight.
I wasn't, however, a disciple of Jesus—at least not directly. If I was discipled to anyone in middle school, it was to the pop stars of the contemporary Christian music scene.
When I am not involved in matters religious or scholarly, one of my favorite escapes is science fiction and fantasy literature or media. My favorite series is The Wheel of Time by Robert Jordan.
The series focuses on the actions of four friends, pushed by circumstances from their little village into the larger world. They discover along the way that they are meant to play central roles in the coming Last Battle of the Ages.
I'm grateful to Amy Frkyholm for her thoughtful response to my media column on clickbait. I have a religious autobiography similar to Amy's: raised in a highly emotional evangelical/charismatic church, which I left in young adulthood for high liturgy. My response to liturgical forms of worship was very much the same feeling of relief and freedom within structure that Amy describes so well. I appreciate, and in many ways share, her experience with and insight into the pitfalls of coerced emotionality—in worship, church groups, or online.
I'm not sure, however, that the parallel between clickbait and worship really works.
Cemetery crowding, especially in large cities or among religious groups that forbid cremation, is becoming a problem worldwide, forcing some creative solutions. Residents of Mexico City must exhume and remove their relatives’ remains after a number of years. A Tower for the Dead project is in the works there: it will include a vertical necropolis along with a subterranean complex 820 feet deep. A simpler solution is to stack graves on top of each other and to share tombstones. Other options being considered are stacking the dead above the ground in niches built into a wall or housing the dead in buildings with each floor resembling a traditional cemetery (AP).