Her house was a three year old’s drawing of a house—two windows on the second floor with two below to flank the door. On the porch a pair of supermarket tube and webbing chairs in case a guest or two dropped by plus one where she could lean way back, a coverlet across her knees when fall was in the air or she felt ill.
The shades she always kept exactly so, the ones above just low enough to hide her on her way to bed, the ones below up high to let some daylight in. Now that the house is empty as a drum, they’re every whichway like an old drunk’s stare, and somebody’s pinched the supermarket chairs.
Sweet Jesus, forgive me all the days I spotted her in one of them and slunk behind the trees across the street. A caller on her porch for all to see she would have rated with her trip to England on a plane, or winning first prize for her grapenut pie, or the day that she retired from the Inn and they gave her a purple orchid on a pin.
Or having some boy ask her to dance, or being voted president of her class, or some spring morning with her room all warm and sunlit waking up in Spencer Tracy’s arms.
You’ve gone AWOL and only Jesus can bring you back, not this poem that I began with the lie that we can overhear your laughter, not hubris or tears and rain. You are an ocean who’s left the nest of earth I thought you’d promised not to. The sky who folded up your blue tent and took off.
What remained, they packed off to flame. Before the day we sat to make your legend in the church, I could almost feel your curious, dare- devil spirit peel itself from the wall of death like a cartoon character and bop out to explore. So tell me what you learned. Is it possible to breathe astral, heavenly air?
And tell me. Was it worth it?— all that sturm und drang you pitched against our brother Death who’d rather work in secret—swelling, hemorrhage, collision of blood cells, collusion over charts, snarled traffic of the body, roads under construction, accident, the rampage of doctors to prevent the clever kleptomaniac from winning as long as possible. He could only steal your body. Which I miss, it’s true, oh god, true. The screen door you banged every afternoon, now silent.
The myth that sports are racially redemptive makes for formulaic movies. Glory Road feels a lot like Remember the Titans. The films (both produced by Jerry Bruckheimer) show how a team’s drive to win a championship overcomes racial divisions and leads blacks and whites to bond like brothers.
Adopting the approach of most movies made about the life of the notorious pleasure seeker, Lasse Hallström’s Casanova isn’t a biography but a free-form embellishment. It treats Casanova as a legend, a symbol—like Zorro.
In Oscar nominee Crash, writer-director Paul Haggis examines the U.S. racial divide in a series of interconnected short dramas that reach a powerful conclusion. It is a painful film to watch because Haggis offers no comfortable side with which the viewer can identify—until, that is, a conclusion provides a note of grace-filled hope. The racial bias of both black and white characters is exposed, leaving everyone culpable. As in many Krzysztof Kieslowski films, there are moments that suggest a transcendent hand is at work.
Thesis: What we commonly think of as Miracles, are mere Synchronicities, felicitous accidents, startling coincidences; Whereas that which we call common is actually miraculous. Whoa; let’s approach this slowly from the side, as we would Edge up shy and careful to a sleeping wolverine. Wolverines Are good to start with, come to think of it—I mean, consider A wolverine carefully. A whopping big one weighs less than Half the dogs you know, not to mention those two obese cats, Yet bears and cougars and even the most stupendously stupid Men back away from wolverines. They have been revered by People who know them well for years beyond counting. They Own their place. They were designed by immeasurable years. There are only a few of them, compared to, for example, ants. Are they not miraculous? Do they not inspire a reverent awe? Can any of us make any of those? No? Can it be that miracles Are things which we cannot comprehend or construct? Hawks, Elk, porpoises, children, damselflies, quasars—the list cannot Ever end, because every time we discover something, we also Discover more that we don’t know yet, isn’t that certainly so? So that which is miraculous is quotidian. While the occasional Inexplicable recovery, the avoidance of death and mayhem by The thinnest of margins, that only happens on occasion, right? So because it isn’t quotidian, perhaps it isn’t a miracle. Listen, I know your brain is buzzling right about now—it’s happening To me too. But the thought that miracles are normal, isn’t that The cool thought of the day? Let’s remember that until dinner, You and me, and then savor the miracles with whom we dine.
The discovery of a Philistine cemetery outside the walls of the ancient city Ashkelon on the southern coast of Israel may provide clues to the origins of the ancient Philistines. A team of scholars is using DNA research and other techniques to determine the Philistines’ origins. Existing archaeological and textual evidence indicates that they originated somewhere in the Aegean region (National Geographic, July).