Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

Estancada*

The air in my barrio
bulges with ash, the remains
of dead poets, dried-out painters,
and sick-sounding musicians. Skeletons
of talento that never found breath.

I sit, estancada, in this hole,
condemnation filling me.
My dying ideas crinkle and shuffle
but no one, not even the flea
on a cat’s hairy back, wants them.

Dreams peak in my mind as dusty dirges,
polvo floating down Figueroa to settle,
abandoned. In a one-room apartment
the homeless grow and light fires for the warmth
of words I will never write and they will never hear.




*estancada—stuck, bogged down, stagnating







Film

One of the boys

Jacob Aaron Estes’s debut feature is being marketed as a Columbine-era fable about a bully who gets his comeuppance. But the film works on levels far more precipitous and challenging.
Film

Fake World

In M. Night Shyamalan’s faux gothic film The Village, a late-19th-century community lives in enforced isolation; the deformed, bloodthirsty creatures who inhabit the woods outside the village prevent access to the world beyond. What makes the film an imitation gothic is the double plot twist.
Poetry

Green anole at Middleton Place

As I stood, rooted, winter-locked, my hand
outstretched in southern sun, the lizard leapt
to the branch of my arm as if there was nothing
at all to fear. As if I was the tree he sought,
he rested, weightless, green as grass, pink
throat-fan ballooning with each small breath,
and I felt something ease inside, a sweetness
rising, as he ran, quick as raindrops, up my trunk,
toe pads tickling as he touched, oh so lightly, neck,
cheek, hair, like a blessing, or a prayer.
Music

Sound alternatives

If you are a regular listener to radio’s A Prairie Home Companion or a bluegrass fan, chances are you know the signature sound of Sam Bush, a mandolinist who commands his instrument with sublime grace one moment, ferocious jig energy the next.