The best tales of the supernatural, from Mary Shelley’s Frankenstein to the television series Buffy the Vampire Slayer, use fantasy to dramatize emotions that are too dark and overpowering to be treated conventionally. Sam Raimi’s marvelous Spider-Man 2 takes audiences into some pretty deep waters too.
Outside the window, seeds laid on the ledge, A sick dove staggered, pecked, staggered again, And while I watched, it toppled off the edge And lay struggling, then feebly pecked again. I took some water in a small can lid and set it by its unprotesting bill, I built a barrier so it was hid From predators seeking an easy kill. Night came and dawn, and with the morning light I saw the vanity of what I’d done; The dove was there, eyes rigor mortis tight, Flecked feathers golden in the morning sun. I took some comfort in an ancient word, “God knows when sparrows fall,” or any bird.
Chisme, oh that succulent dish sold and served with a side of snide words wrapped in caring concern for your health. People urge you to unpackage your heart. They slop it, boiled or roasted, on a plate of I-told-you-so’s, sumptuous and steaming. They plunge their teeth into chile picante comments, those juicy and spicy words. They wound and scrape, sticking to forks, pitching tongues. People munch their meal, this food. You, too, relish it. Each morsel you savor. Until the flavor floats and reaches your stomach. You chew and wonder why the special of the day tastes so familiar.
Cemetery crowding, especially in large cities or among religious groups that forbid cremation, is becoming a problem worldwide, forcing some creative solutions. Residents of Mexico City must exhume and remove their relatives’ remains after a number of years. A Tower for the Dead project is in the works there: it will include a vertical necropolis along with a subterranean complex 820 feet deep. A simpler solution is to stack graves on top of each other and to share tombstones. Other options being considered are stacking the dead above the ground in niches built into a wall or housing the dead in buildings with each floor resembling a traditional cemetery (AP).