She likes to watch her children in the long grass, how they disappear, emerge, like they’re swimming in an ocean without current but the one of growing. See how the long blades part for them, how they close up all around, Watch the gold heads bob, hands reach up for the sun as if it’s the transportation of these years. Hear the silence, the safe silence. And then the muffled noise rolling through the shafts, secured forever by the wrinkled smile of her hearing. Children are nature’s people now, but her nature too, the one that says, play here, will later sigh, but how could I prevent you.
Guilt and remorse over Nazi atrocities and the horrors of World War II have consumed Germany for decades, influencing politics, culture and the arts, including cinema. The rise of the German New Wave of filmmakers in the 1970s (led by Werner Herzog, Wim Wenders and Rainer Fassbinder) was fueled in part by a desire to exorcise Germany’s dark past.
Danielle Snyderman, a geriatrician, says it isn’t possible to work successfully with an elderly patient without knowing about that person’s relationship with his or her spouse. This awareness led her to start collecting stories about the love lives of the couples she was working with. These stories are “packed with humor, history, wisdom, and grace. Who wouldn’t feel better after bearing witness to love that has weathered child-rearing, war, poverty, financial success, and physical decline?” Couples have difficulty addressing one question: “How do you anticipate a time without each other?” (Philadelphia Inquirer, June 14).